Muhammad Rafi birthday teaches the full story of his struggle on the birthday of Muhammad Rafi, the great singer of Hindi Cinema

Entertainment News desk !! Muhammad Rafi was one of the best singers of Hindi Cinema, who recorded more than 25 thousand songs in a film career of about 40 years. Song. He distinguished himself between his contemporaries for the sweetness and extent of his voice. He was also called “Shahenshah-e-tarannum”. Birth and family Muhammad Rafi were born on December 24, 1924 in the Amritsar district Punjab. Rafi began to show interest in music from an early age. His family came to Lahore as a child. Rafi’s older brother was an important source of inspiration for him. Rafi’s older brother had a barber shop in Amritsar and Rafi visited this store in childhood. Earlier, a fakir came to his shop daily and submitted Sufi songs. Seven -year -old Rafi Saheb was so familiar with the voice of that Fakir that he struck behind the Fakir all day and listened to his songs. When the fakir stopped singing and eating food or rest, Rafi would try to copy it. He was so busy singing the song sung by that Fakir that he didn’t know that a crowd of people gathered around him. Every time someone came to his shop earlier to make a haircut, he always asked a song of seven -year -old Muhammad Rafi. Muhammad Rafi was married to Begum Vikalis and had seven children, four sons and three daughters. Public achievements at the age of 15 had the opportunity to suddenly perform in public, which was an important turn in his life. Among the audience, the famous musician Shyam Sundar was also impressed by Rafi’s talent and invited him to Bombay (present Mumbai) to sing in films. The first song that Rafi sang his first song for the Punjabi film ‘Gul Baloch’. In Bombay, he sang early Hindi songs for films such as ‘Village Ki Gori’ (1945), ‘Samaj Ko Badal Dalo’ (1947) and ‘Jugnu’ (1947). The music composer Naushad has the talent of this promising singer and in the film ‘Anmol Watch’ (1946) of Rafi, the first single song ‘Tera Thuka Balak’ and then in the movie ‘Dillagi’ (1949), ‘Dilwalas who came to this world’. ,), Which was very successful. The second song Rafi’s question increased significantly in later years. He was the golden voice of the top stars of that time. His greatest feature was the ability to form his voice to fit the personality of the actor to his songs on the screen. So, in the ‘Leader’ (1964), he was a romantic dilip kumar while he sang “tender husn ki kya praise karu ‘, in’ Pyaasa ‘(1957),’ this world if this world is found, what is there then, what is the soul of Guru Dutt? ) ‘Junglee’ (1961) was the impassable Shammi Kapoor who sang ‘or Hu’ and even an ominous Johnny Walker that massaged oil in ‘Pyaasa’. His courage with contemporary lateral singers, a leading contemporary in Hindi film, is equally memorable and popular. Very good singing Rafi’s beautiful singing made many songs immortal that reflects different moods and styles. The film ‘Kohinor’ (1907) classic songs such as ‘Madhuban in Madhuban’ and ‘Baiju Bawra’ (1952) classic songs such as ‘O Duniya ke Rakhwale’; Ghazals such as the film ‘Dularari’ (1949) to ‘Suhani Raat Dhali’ and ‘Fourteenth Ka Chand’ (1960); From the 1965 film ‘Sikander-E-Azam’, ‘Jahan Dal-Dal par’, ‘Kar Hum Fida’ and ‘Leader’ (1964) of ‘Kar Hum Fida’ and ‘Leader’ (1964) to ” our freedom to our freedom ‘,’ patriotic songs that shock our soul; And that includes light songs such as ‘Aaja-aaZa Main Hoon Pyaar’, influenced by ‘Rock and Roll’ of ‘Third Manzil’ (1964). He sang the last song ‘Tu Kahi Ace Hai Ae Dost’ for the movie Zahar in 1980. MD with Lata Mangeshkar and Jaikishan closed work in Muharram. Muhammad Rafi did not sing the song on the 10th day of Rafi Muharram. He did not leave the song even in Ramadan, but recorded before noon. Muhammad Rafi was a strong religious. He took a time for another Arkan with Namaz earlier. The voting feature was a wonderful series in the voice of Mohammad Rafi, which was well used by musicians. Mohammad Rafi, who voiced three generations, said: “The voice is the pit of God.” He is absolutely correct. Mohammad Rafi, who gave his voice to about 25 artists, became acquainted with who would have been filmed on the song. Whether Gurudutt, Shammi Kapoor or Johnny Walker. The voice of all these artists had a special kind of elasticity that linked him to the artist. It can never be called mimicry. It was his natural nature to form his voice to suit all kinds of artists.[1] The generous heart Muhammad Rafi was a person of a liberal heart. No one left him empty -handed. In his early days, he takes a slight salary for the music pair of Laxmikant Pyarelal so that the pair could join the film world. His attitude towards the royalty of the song was strange and generous. He also had a dispute with Lata Mangeshkar on this. Lata Mangeshkar said singers, even after singing the song, get royalty of income from those songs. But Rafi Saheb, who was a strong supporter of the principle, was against it. He believed that once the songs were recorded and the singers got their money, the matter was over. That is, the dispute between the two increased so that they did not sing together. Later on the Nargis initiative, the controversy between the two was resolved and he sang the song ‘Dil Pukar’ in the movie ‘Jewel Thef’. Honor and award with Prithviraj Kapoor on the occasion of his birthday. The Rafi government of India honored Rafi with Padma Shri in 1965. Rafi Saheb was nominated 23 times for the Filmfare Award, which he won 6 times from Samane. Rafi Saheb’s nomination films died Rafi Sahab died on July 31, 1980.