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Yosep Anggi Noen: Movie competition darling finds his enjoyable in fiction


From a younger age, filmmaker Yosep Anggi Noen has been a movie fanatic, at all times discovering the time to create brief films along with his highschool associates.

Although he graduated from Gadjah Mada College with a level in communications in 2001, Anggi, born within the city of Sleman, Yogyakarta, has at all times had cinema on his thoughts. In 2007, he turned this ardour into research, graduating from the Busan Worldwide Movie Competition’s (BIFF) Asian Movie Academy.

As destiny would have it, his first feature-length movie, Peculiar Trip and Different Sicknesses, debuted 5 years later on the 17th version of BIFF in October 2012. The identical film additionally propelled him to the limelight on the prestigious Locarno Movie Competition in Switzerland, earlier than the movie obtained a restricted Indonesian launch in 2014.

One other certainly one of his movies, 2017 historic fiction Istirahatlah Kata-kata (Solo, Solitude), debuted on the 69th Locarno Movie Competition in 2016.

Recognition: Yosep Anggi Noen’s film Recognition: Yosep Anggi Noen’s movie “The Science of Fictions”, which works by the Indonesian title “Hiruk-Pikuk si Al-Kisah”, obtained a particular point out on the Locarno Worldwide Movie Competition in Switzerland. (Courtesy of Limaenam Movies/-)

Anggi himself, nevertheless, is somewhat modest about his achievements and is recently eager solely on discussing his newest film The Science of Fictions, which works by the Indonesian title Hiruk-Pikuk si Al-Kisah.

After making its Asian debut on the 24th version of BIFF in October final yr, The Science of Fictions was screened on the Plaza Indonesia Movie Competition, which ran from Feb. 24 to 28 at Plaza Indonesia mall’s Cinema XXI.

Anggi believes The Science of Fictions is healthier suited to an Indonesian viewers, regardless of the movie receiving a good response on the Locarno Movie Competition.

The film, which received a Particular Point out Award on the competition final yr, tells the story of a easy farmer named Siman (Gunawan Maryanto) who had his tongue lower out after witnessing a staged moon touchdown shoot within the 1960s on Parangtritis Seaside. 

The Science of Fictions is just not a science fiction film. As an alternative, Anggi mentioned, filmgoers would see the movie as one which questioned the science fiction style.

“If we discuss concerning the Indonesian viewers, I feel they’re changing into more and more numerous, or on the very least have a want to see all kinds of films,” defined Anggi, who turns 37 on March 15.

“Filmmakers are displaying totally different flavors as effectively, like how horror directed by Joko Anwar is totally different from horror directed by others.”

His earlier movie, Solo, Solitude, based mostly on the lifetime of poet-activist Wiji Thukul, received Jogja-NETPAC Asian Movie Competition’s (JAFF) greatest film of 2016 and garnered greater than 50,000 viewers, which Anggi mentioned was a somewhat excessive quantity for a historic movie.

“I’m not significantly frightened about viewers curiosity, as we’ve seen that they’ve a excessive demand for a greater variety of movies.”

Together with his newest movie’s give attention to the conspiracy idea of a faked moon touchdown, to some it may appear he’s making fairly the leap, tackling an American triumph in a Javanese setting. However Anggi mentioned it was greater than that, because the moon touchdown as a triumph of humanity had been inserted into totally different cultural contexts.

“In Indonesia, some would even say that astronaut Neil Armstrong himself returned from the moon and went to Indonesia, the place he transformed into Islam after listening to the adzan (name to prayer) on the moon,” he mentioned.

“Whereas at Locarno, I met a journalist from Pakistan, and came upon that comparable narratives exist. Each group desires to turn out to be a part of a world achievement, and that may manifest in issues like spreading these pretend tales as reality.”

The Science of Fictions, he mentioned, was not concerning the conspiracy idea of a faked moon touchdown; it was concerning the response of communities world wide to the occasion.

“Going again in time, there was a New York Occasions piece about [United States president] Nixon’s go to to Jakarta a couple of days after Armstrong’s launch in 1969, the place he informed the press and Indonesian public that Indonesia can be given a chunk of moon rock,” he mentioned.

“That is part of diplomacy utilizing a world achievement. ‘Whether or not you might be in Indonesia, Vietnam or wherever, you can be given part of our achievement’. That’s diplomacy, and an incredible one at that.”

Reconciling the 2 totally different cultural views was straightforward for him as somebody current in an ecosystem the place folks can simply take part in main international occasions within the sense that they’re uncovered to it always, making it really feel like they’re near them.

“I suppose that’s a part of globalization, the place folks really feel like they’re a part of the fixed shift of the world. We turn out to be a part of it as a client or the topic, however we are able to additionally turn out to be the article of reports.” 

When creating the film, Nixon’s diplomatic efforts grew to become the premise of his considering, however he was additionally impressed by Parangkusumo, a scenic location in Bantul, Yogyakarta, identified for its sand dunes, which he mentioned resembled the lunar floor.

Parangkusumo is attention-grabbing for Anggi as he noticed not simply the pure parts, but additionally features of life that vary from pre-wedding shoots and kejawen Javanese rituals to prostitution.

From there, he additionally inserted the cultural zeitgeist of 1960s Indonesia, such because the political upheaval and rewriting of historical past to assist the brand new regime.

As for the film’s layers of context, Anggi mentioned that totally different interpretations had been de rigueur for films of any variety, together with some that had been made solely for leisure.

“Some folks get unhappy after watching a romance, whereas others really feel elated. I feel interpretation is at all times on the viewers’s behest. A film as interpreted by its makers and by the viewers are various things. The makers can try to indicate their concepts, whereas the viewers is permitted to check that concept whereas watching the film.”

Nevertheless, he does notice The Science of Fictions will not be simply discernible in its narrative, and it would require repeat viewings.

“For filmmakers, movie festivals are [sources of] power, as they supply them with the area to satisfy the viewers. After we create a film, we’re at all times frightened about how it could be obtained. So we’re extra stressed after the film is out and never earlier than,” Anggi mentioned.

“Assembly the viewers is one solution to ease that fear. One other manner is by getting a report on viewer numbers – the upper the passion, the much less frightened we turn out to be because it reveals the film is well-received. […] When it turns into a box-office [hit], our worries are gone since which means we are able to prolong the hire of our home,” he laughed.(ste)


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Ananda Sukarlan cements position in Spanish classical music


The primary leg of the Rapsodia Nusantara live performance tour in Makassar, South Sulawesi, had simply come to an finish early final month when pianist and composer Ananda Sukarlan obtained a telephone name with a request he couldn’t decline.

He needed to return to his second dwelling in Spain to chair a jury panel for the Reina Sofia Award for Music Composition, the most important classical music award in Europe named after the Queen Mom Sofia.

Ananda mentioned he wouldn’t thoughts suspending a tour overlaying Surabaya in East Java, Bali and Jakarta to honor the Queen Mom Sofia, who had supported his music and Spanish classical music basically.

“Her Majesty got here to my live shows earlier than she abdicated. We had some discussions and he or she had nice new concepts of how music might serve the disabled and in addition as a type of diplomacy and communication,” the maestro, who lives with Asperger syndrome, instructed The Jakarta Put up on Tuesday through textual content messages from Spain.

The nice and cozy relationship was not the one purpose for his appointment because the presiding jury member.

Ananda is also referred to as a significant affect in Spanish up to date classical music, directing its path right into a fusion of two musical cultures.

The 2001-2005 work of Jesus Rueda, probably the most distinguished dwelling Spanish composer for the piano, as an illustration, confirmed some Indonesian components, equivalent to his “Sonata No. 2 Ketjak”.

One other composition with a heavy Indonesian sound may be present in David del Puerto’s “Symphony No. 2 Nusantara & Violin Concerto” launched in 2017.

The Reina Sofia Awards’ jury includes Rueda, Ananda’s good friend of 20 years, Spanish composer Juan Cruz-Guevara, Fabian Panisello from Argentina and world-renowned African music ethnomusicologist Polo Vallejo.

Saying the judging outcomes on Sunday, their selection went to Valencia-born Carlos Fontcuberta, 43, who will obtain the Queen Sofia Prize of 35,000 euro (US$39,000).

In line with Spanish information outlet La Vanguardia, the award was sponsored by the Ferrer-Salat Basis, an organization engaged in prescription drugs and philanthropy.

Queen Mom Sofia, whose husband King Juan Carlos abdicated in 2014, will current the prize within the coming months after winners in different fields of artwork are chosen.

The award is held yearly to develop skills in literature, visible arts, movie and classical music.

Throughout judging for the classical music class, which began on Feb. 28, Ananda mentioned the jury had chosen the perfect 4 works and unanimously discovered that Fontcuberta’s composition titled “Trencadis” has a robust id and recent music construction.

“I admired the originality of the music construction, which works effectively; [it’s] not nearly being new and sounding completely different. The opposite members of the jury mentioned, ‘Nicely, clearly, he might apply the trencadis construction brilliantly’. And I used to be so embarrassed as a result of I didn’t know what that phrase meant at the moment.”

Trencadis is a Catalan phrase, the language utilized in northeastern Spain, for damaged tile mosaics — a visible artwork approach utilized by modernist architect Antoni Gaudi.

Ananda’s unfamiliarity with Catalan was not his solely awkward second as he additionally grew to become the receiving finish of jokes amongst jury members concerning a press release made by an Indonesian Baby Safety Fee (KPAI) commissioner who claimed that girls might get pregnant from swimming in the identical pool as males.

“It had gone viral worldwide and would have been a heavy burden for me ought to I’ve picked the incorrect winner,” he quipped.

The Rapsodia Nusantara tour will characteristic Ananda and 17-year-old Michael Anthony, a blind pianist with autism, who was found on the Ananda Sukarlan Award piano competitors a couple of years in the past. In Makassar, South Sulawesi they shared the stage with the province’s 17-year-old musical prodigy, Vivienne Thamrin.


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South Korean leisure trade braces for unfold of coronavirus


The leisure trade is bracing for a attainable unfold of the novel coronavirus an infection, after two individuals who attended Milan Vogue Week examined optimistic for the virus.

Okay-pop singer Chungha went into self-quarantine after two workers members who accompanied her on the Milan journey have been confirmed with COVID-19 upon coming back from Italy on Feb. 24, the singer’s company MNH Leisure stated Sunday.

One of many workers on the Milan journey was confirmed with COVID-19 after reporting a fever. Subsequently, Chungha and the remainder of the workers that returned from Italy went into self-quarantine and have been examined for the novel coronavirus. One extra workers member was confirmed with the virus following the exams whereas Chungha’s take a look at outcomes got here out as detrimental Sunday.

Chungha and the remainder of the workers who have been confirmed detrimental for the virus are in self-isolation, as requested by the Korea Facilities for Illness Management and Prevention, the corporate stated in an announcement. All promotional occasions for the singer’s newest music launched Saturday have been canceled.

Minhyun of NU’EST was additionally examined after a rumor of novel coronavirus an infection unfold. The singer, who additionally attended Milan Vogue Week, and his workers have been examined out of precaution and have been all confirmed to not be contaminated. The artist can also be in self-quarantine.

Learn additionally: Coronavirus takes heavy toll on Okay-pop

Singer-actor IU, actresses Tune Hye-kyo, Han Ye-seul and Park Min-young and woman group Blackpink’s Lisa are additionally amongst Korean celebrities who attended Milan Vogue Week.

“The actress and the workers who accompanied Han to Milan didn’t present any signs and weren’t notified to get checkups,” an official at Han’s company Companions Park advised The Korea Herald.

EDAM Leisure, which represents IU, stated that IU was not affected by the virus. Tune’s company UAA was quoted in a neighborhood media outlet stating the actress was “not displaying any uncommon signs or well being points”.

The Milan Vogue Present, which happened Feb. 18-24, was closely impacted by the outbreak of the novel coronavirus because the occasion neared its finish.

In the meantime, taking pictures for tvN’s Hello Bye Mama is to renew Tuesday, as a workers member who confirmed signs of an infection examined detrimental. Taking pictures was suspended after one worker went into self-quarantine with signs of respiratory sickness.

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‘Parasite’ investors rake in big money after Best Picture win


A tiny South Korean hedge fund hit the jackpot when it made a long-shot investment in the surprise Oscar-winning movie “Parasite,” according to a report Wednesday.

The Seoul-based fund Ryukyung PSG Asset Management Inc. plunked down $500,000 to help bank-roll the genre-bending satirical thriller and is poised to rake in millions after the award, according to Bloomberg News.

The movie by Bong Joon Ho cost $11 million to make — peanuts by Hollywood standards — and has already earned  $165 million at the box office, according to the outlet

The flick became the first non-English-language film to ever to win an Academy Award for best picture Sunday, sending box office sales soaring.

The movie earned $539,000 on Monday, a 24 percent post-Oscars spike.

The fund, which only invests in movies distributed by Korea’s CJ Group, has returned more than 72 percent for investors since its launch in July 2018, according to the outlet.

The company has also profited from other Korean films including “Extreme Job” and “Exit.”


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Focus turns to Latino authors amid ‘American Dirt’ debate


Latino activists say they hope the controversy around the novel “American Dirt” brings more attention to recent and overlooked works by Latino writers

When Oprah Winfrey endorsed the novel “American Dirt” for her book club last month, many Latinos took to social media to decry the selection for its stereotypes and caricatures.

The novel about a Mexican mother and her young son fleeing to the U.S. border had been praised widely before its Jan. 21 release. But anger built over “American Dirt” by Jeanine Cummins — a writer who primarily identifies as white — and Latinos shared reading lists and pointed to recent work that went overlooked, offering “alternative” options for those who wanted to read about the Latino experience in the United States.

Across the U.S., Latino writers say they are seeing a jump in sales of those works following social media campaigns to draw more attention to Latino literature as big New York publishers face criticism for ignoring the work or not promoting it enough.

Nicolas Kanellos, founder and publisher of Houston-based Arte Publico Press, the largest publisher of Hispanic literature in the U.S., said he noticed last month some of his books by immigrant writers selling out.

“I’m not on Twitter but my staff told me some of our books were appearing on these lists as suggestions,” Kanellos said. “They are gone now.”

Journalist and novelist Luis Alberto Urrea, who Cummings cited as an influence, reported seeing sales of his early 2019 novel “The House of Broken Angels” jump to his surprise. It was one of the books mentioned on social media.

“Thank you. #14 on the LA Times bestseller list. Again,” Urrea wrote on Facebook. “Big Angel keeps coming back.”

Wendy C. Ortiz’s memoir “Excavation” in California’s San Fernando Valley also sold out on Amazon.

Others suggested readers buy the novel “Dominicana” by New York-born Angie Cruz and El Paso-born Sergio Troncoso’s short story collection, “A Peculiar Kind of Immigrant Son” — works released last year.

PEN-award winner and Fresno, California-born writer Daniel Chacón’s “Kafka in a Skirt: Stories from the Wall” also was recommended as a work to understand life on the borderlands. The collection was sought out as comfort following the August 2019 killing of 22 people in a shooting that targeted Mexicans in El Paso, Texas.

In addition, Latino advocates told followers to look out for new work from memoirist and essayist Luis J. Rodriguez, who released on last month, “From Our Land to Our Land: Essays, Journeys and Imaginings From a Native Xicanx Writer.”

“I’ve seen interest in my new book. Yeah, people are asking about it,” said Matt Sedillo, a Los Angeles-based poet and author of “Mowing Leaves of Grass.” He’s also getting more offers to visit colleges to read his work.

Myriam Gurba, a Long Beach, California-based writer who has been a vocal critic of Cummins, said she saw “no silver lining” in the controversy of “American Dirt.” She said readers should have been picking up books by Latinos writers anyway.

Gurba and a group of other Latino writers called #DignidadLiteraria met with publisher Macmillan (Flatiron Books, which published “American Dirt,” is a division of Macmillan) this week to demand the publisher hire more Latino staff.

Domingo Garcia, national president of the Latino civil rights group the League of United Latin American Citizens, said he didn’t have a problem with non-Latinos writing about immigration. “But it’s important to have a conversation with publishers about who is getting published and the lack of Latinos in the industry,” he said.

In New Mexico, the state with the largest percentage of Hispanic residents, the conversation shifted this week from “American Dirt” to Levi Romero. The bilingual Spanish-English poet was named as the state’s inaugural poet laureate. He will document his travels around the state to promote poetry through a web journal and podcast.

Santiago Vaquera-Vásquez, an Albuquerque-based writer and author of “One Day I’ll Tell You the Things I’ve Seen,” said he’s happy Latino works are getting recognized but he hopes the interests doesn’t die down. “Let’s not be angry for two weeks and forget about it,” Vaquera-Vásquez said. “Let’s be angry for months.”


Russell Contreras is a member of The Associated Press’ race and ethnicity team. Follow him on Twitter at http://twitter.com/russcontreras


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