What made everything look like "Gibli Studio"?

We all know that algorithms on social media emphasize the content we deal with, and it is usually annoying. But Haniyeh came last week, which is a ease when everything suddenly became rope in the style of the distinctive Japanese animation studio “Gibli”, after “Oben Ai” released a new tool for producing images not controlled by many controls. No one knows why it spreads like wildfire, and it seems to be an innocent tweet that indicates the aesthetics of repentance of family images in the “Ghibli Studio” style. Of course, “GT-4 or” other methods can use, from which it can reproduce images in a video style such as “One Piece” or “The Mups” or “Rick and Morty”. But people asked ‘Gibli’, and within hours everything that could be converted was transferred to ‘Gibli’. Perhaps the reason for the question is the tranquility that has wrapped his world, especially in light of an upset global environment in which old friendships are collapsed, and the rapid change in the economy led by artificial intelligence. The “Gibli Studio” photos give a touch to reality and make what is normal. In most films produced by the studio, even the bad guys can be understood, and who do not want to ride with the “Catbus” bus from the movie “My Neighbour Totoro”, or enjoy the comfort of the Unigar Rice Balls from the movie “Spirited Away”. An accusation associated with kindness is also one of the reasons for his success in dropping the dreamed “Gibli” world on the horrors of real life. Some of the most beautiful and widespread use of the filter was the rude, including the scene of the assassination of John Kennedy in the way of ‘Gibli Studio’ and Joseph Stalin in the famous picture from which Nikolai was removed after his execution. Of course, it didn’t take long. All of these mutations do not pay attention unless they remain normal. That became enough when Sam Altman, Open AI’s executive, turned the image he uses in his profile into a cartoon image, but once the White House account tweeted a photo of President Donald Trump in the “Gibli” style, while a drug dealer in hand has captivated while crying, this tendency of strange to embarrassment became less than 48 hours. Immediately afterwards, violent reactions came from artists, and complaints ranged from legal concerns about future jobs, and from the wealthy use of the instrument instead of awarding a human artist, to a confused theory that the art of artificial intelligence was itself fascist in nature. Many people have shown that Hayo Miazaki, the genius responsible for the most famous studio, will not agree to this. But his famous quote from the art of artificial intelligence, in which he seems to explain this technique “an insult to life itself”, is often used away from the right context. Miazaki spoke specifically about an offer that shows artificial intelligence, frightening characters without zombies -like endings, and he felt he was abusive with disabilities. In the documentary himself, he said that the show made him feel “we are near the end of the world.” Although he did not comment in public on the last boom (if we assume he knew about it), it is assumed that he will not be approved, at least with regard to the photos used by the White House. However, the emotional response that every action of artificial intelligence mixes with slope seems to be exaggerated. Don’t offend my understanding: I hate the fraudsters who were two years ago, and have unnecessary symbols in the form of monkeys, false stories that are industrially raised, nonsense and try to engage those who abuse them. An evil is needed, but like any other instrument, artificial intelligence can be used for good or evil. For every bad White House, there were those who enjoyed this technique. Even though Miazaki was not a fan of his admirer, he merged computer animation instruments in the studio after a long period of opposition. Indeed, “Gibli Studio” released a complete dimensional animated film in 2020 by Guru, Ibn Miazaki, although it appears to be a poor film scene coming from a video game from the nineties, and he expressed it. But computer animation itself has our ability to convert our visions in reality, extended a lot, and studios like “Pixar” have shown how to make them look like a soul- which is currently absent from the worst attempts to produce art. Publishing rights There are many gray areas, but I hesitate to withdraw prior conclusions. It is usually not possible to strengthen art methods through copyright, as “chat GBT” can make something similar to that “Gibli” produces, but he will not draw the character of Totoro unless some amendments are included. Japan’s laws related to artificial intelligence deductions are very soft, as my colleague Catherine Thorbik indicated. Creators may submit some lawsuits, but what happened at least was a free statement showing the strength of their brand. The shots prepared in the “Gibli” style will fade on the internet if you haven’t really disappeared. But as critics indicate, the studio’s work carries a much greater depth than being an advanced “Snapchat” filter. However, this technique will not be released. The art of artificial intelligence certainly affects artists and animated painters, just as automation in the past was on banking, travel agents, nature or cartoons. The fact that these functions are not creative, it does not mean that they are not important, and the creative work is not a protected group that is unique than others. Japan suffers from a severe lack of animated painters who work long hours with low wages. If artificial intelligence instruments can reduce this deficit, they should be welcome. This rate of technical change raises our concern. Eventually, because the world is full of uncertainty, we used the ‘Gibli Studio’ to make us live in a simpler and more comfortable world for a short time.