7 Operas you need to see if you are a musical theater fan

Which evenly is an opera? And how does it differ from a musical? Both are theatrical performances with a lot of singing, and the two art forms have always been closely connected. Work like the gershwins’ Pgy and Bessand Gilbert and Sullivan’s The Pirates or Penzance carried both labels with great success. So, if you’ve seen Pgy and Bess Consider it as a Broadway musical, consider stopping this fall at the Metropolitan Opera to try it as an opera. Or if you are in the mood for a little comedy, have it covered with you with a variety Funny work.

If you are a musical theater fan who wants to take the dive in opera, here are some shows to check out!

1.. If you love Sunset Boulevard, Salome

If you are one of the thousands who were excited about the ominous end of Sunset Boulevard This season you might be interested in knowing that Norma Desmond’s dream role of Salome this spring will take up the stage in the form of Richard Strauss‘Opera of the same name. Just like the Oscar Wild play from which it is adjusted, Strauss’ Salome have long been controversy. The Metropolitan Opera premiere in 1907 was met with screams of ‘degeneracy’, with audiences and management members also having the horrific content. The opera was then banned from the Met until 1934, when it was brought back to a more favorable reception. It has since been regularly revived and to this day continued to shock and rejoice in the audiences.

A driving of Norma’s’ six very important photos’, Strauss’ Salome is a tightly packed 100 minutes tense drama and exciting music.

2.. If you love The Pirates or Penzance, The hairdresser of Sevilla

If you need a breathing of all the drama we have covered you: Rossini’s The hairdresser of Sevilla (The hairdresser of Sevilla), one of the most popular comic operas in the cannon, returns to the Met this season, in a production directed by the Tony Awards winner Bartlett Sher. The show combines the best in musical comedy with the best of Funny work. Disguises, slapstick, and a Hello Dolly! .Style Passerelle — Complex to the orchestra pit will fans of shows like Some like it is hot or The Pirates or Penzance Feel right at home. (Indeed, Arthur Sullivan‘s score for The Pirates or Penzance is strongly influenced by Rossini!)

Connect it with a toe-tik score with some of the most lasting melodies of opera-like the “I am” song of the titular haircut (memorable sung by Robin Williams in the film Mrs. Doublefire) and the iconic Overture (immortal made by Bugs Bunny in the Looney Tunes short Rabbit of Sevilla) –The hairdresser of Sevilla Will surely smile and buzz.

3.. If you love A small night music, See The marriage of Figaro

You probably also know some tunes of The Barber of Seville’s successor, The wedding of Figaro (The marriage of Figaro). Well, successor can be a strong word. Wedding was written 30 years before Barberand by Mozart. But both are based on plays by Pierre Beaumarchais on the objects of the barber Figaro, the Earl and Gravin Almaviva, and a large and vibrant supporting cast.

The complicated farce The wedding of Figaro is filled with jealousy and sadness in abundance, set on an elegant and carefully manufactured score. It can even remind you of the beloved Sondheim Show A Small Night Music—There is even a jealous score and long -hearted gravin!

Figaro is an important inspiration for a number of artists. Mozart’s beautiful and tuneful score for The wedding of Figaro appeared in films like Willy Wonka and the Chocolate Factory (in which the Overture is mistakenly identified as Rachmaninoff), The Shawshank dissolutionand Trading sites. Figarostory of the jealous shovel his wife suspects that he is a relationship with a page boy (who is disguised as a slave) is parodied in Andrew Lloyd Webber‘ The phantom of the operain the display-within-a-show The silent.

KANDNOTA – For the music experts who retain the score, The phantom of the opera References to the following operas: Don Juan Triumphant offers a scenario from the second act of Mozart’s Don Giovannithe Hannibal play parodie lush large operas like Aida and the works of Meyerbeer, and Carlotta’s high -flying Coloratura pulls out the queen of the famous aria of the night The magic whistle.

4. If you love Rent, The bohemian

Many of Broadway’s longest running musicals have signed opera. Jonathan Larson‘s Pulitzer -Price – Awarded Rent is famous based on Puccinis The bohemianwhich is the most alleged opera in the history of the Met. The Met offers the show annually Franco IziffirelliThe extravagant production, which fully utilizes the enormous stage sources of the opera house, including all three wagons (full -sized stage on wheels sitting in the wings to roll for a quick change), hundreds of choir members and superiors, and even a donkey!

5. If you like Elton John’s AidaSee Verdi’s

Spectacle is certainly not a shortage of the opera. Defi’s Aida—It is especially adapted to a Broadway music stake by Sir Elton John – is known for his Pageanry, including the ballet scenes. For musical fans who like a good dance number, there is an extravagant march in the second act (that’s the kind of thing Lloyd Webber parodes). This is, of course not just Pageantry in The bohemian or Aida. Both operas tell heartbreaking love stories with lush music-an operative staple also see in Verdi’s The traviata and Tchaikovsky’s Eugene Onegin.

The with’s current production of Aida is directed by Tony winner Michael Mayer. Together with the former Bartlett Sher, Mayer is one of the many beloved Broadway directors who left their mark on the MET stage (others include Lileana Blain-Cruz, John DoyleIvo van Hove, Robert O’hara, Susan Troman, Darko tresnjakand Mary Zimmerman).

6. If you love In the forest, See The magic whistle

Mozart’s The magic whistle (The magic whistle) is a fairytale opera populated with a vibrant role of magical beings, forest beings and people trapped between the magical and the everyday. As such, it inspired endless resourceful productions, with artists like David Hockney, July Taymorand Marc Chagall leaves their mark on the opera over the years.

The Met’s current production is directed by Simon McBurneyand embrace the fantastic theater of the opera, which raises the orchestrian pit to have the musicians in the light of the audience, and two artists on either side of the stage to increase the action. On the one hand, a visual artist draws backgrounds and makes it shadow marionets projected in real time to form the scenery. On the other hand, a Foley artist makes live sound effects to bring the world to life. All of this illustrates the story of a prince sent on a quest to save a princess from a wicked wizard – just to learn that good and evil is not as simple as they first look.

7. If you like Shakespeare, see Antony and Cleopatra

Shakespeare has long been a source of inspiration for operating composers. Giuseppe Verdi composed three Shakespeare -OperasMacbeth, Oveloand Falstaff;; He also has a King Lear Opera he never lived to complete. Rossini also had a crack Othello, Berlioz adopted Much about nothingand Gounod adapted Romeo and Juliet. When the current Metropolitan Opera House opened for the first time in 1966, it did so with the world premiere of Samuel Barber Antony and Cleopatra.

Now, almost 60 years later, a second Antony and Cleopatra Opera takes the stage on the MET, this one with a score by John Adams. The Libretto is adapted from Shakespeare, supplemented with text by Virgil, Plutarch and others. The production team, led by director Elkhanah Pulitzer, also boasts Broadway alums, including costume designer Constance Hoffman (M. Butterfly) and Tony Award-winning set designer Mimi john (Natasha, Pierre & The Great Comet of 1812).

Due to the memorable music, awesome spectacle and impressive choir-can a fan of musical theater at the opera feel at home. Do not feel deterred by the language barrier; Captions are provided on the back of all seats, and you can read a summary of the opera in the program. And reports of a formal dress code are very exaggerated; You will see the audience members in outfits ranging from suits to sweatshirts.

Attending the opera does not differ from any other theater performance. If you’ve never seen an opera, check out Metopera.orgto browse after the season setup, and look at the Rush and lottery options For cheap tickets. You will find some new shows to love.