“What is just not huge” .. a failed guess on motion drama


“What is just not huge” .. a failed guess on motion drama

A naive Egyptian remedy of the phenomenon of violence falls into double violence.

Friday 07/23/21

A mix of motion and violence with out goal justifications

The Egyptian collection “The One Who Doesn’t Go Huge” represents a dramatic expertise that attempted to precise the derogation of girls’s rights in all its kinds and pictures, from bodily abuse to essentially the most extreme forms of psychological and ethical ache.

Cairo – The Egyptian collection “Elly Malush Kabir”, written by Amr Mahmoud Yassin and directed by Mostafa Fikry, doesn’t present an entire plot to turn into nearer to a combination that brings collectively a collection of violence, kidnappings and murders related to a love story between its heroine and a thug, whom she cherished and most well-liked over her rich, aged husband.

The work is the primary cooperation between the artist Yasmine Abdelaziz and the artist Ahmed Al-Awadi after their latest marriage, and the viewers ready for him associated to the world of inventive duets and romantic love tales, in order that the collection got here a lot lower than the expectations of viewers and critics. The time of its first present final Ramadan, earlier than it’s at present being proven on CBC Drama, was labeled within the class of decrease high quality collection.

From its first episode, the pattern that he carries with quite a lot of personalization and investing within the disaster of the artist Yasmine Abdelaziz seems along with her husband, a rich businessman earlier than her divorce, and based mostly on the collection on the premise that the girl needs a person who makes her really feel secure and stands by her aspect in adversity and sympathy for her, and above all her discover that she is feminine.

The story of the collection revolves across the lady “Ghazal” (Yasmine Abdelaziz), who’s concerned in a collision between her automotive and the automotive of a heavy-handed thug named “Al-Khidawi” (Ahmed Al-Awadi), and a report is filed towards him to the police authorities earlier than they reconcile after his admiration for her daring and powerful persona, and a love story develops between them At first sight.

The series deals with the dangers of the age difference between spouses and the absence of the language of dialogue between them, which generates violence from which there is no salvation except by divorce.
The collection offers with the risks of the age distinction between spouses and the absence of the language of dialogue between them, which generates violence from which there isn’t a salvation besides by divorce.

Notable recruitment

What will increase the interpretations of personalization is the approaching of the collection a 12 months after the looks of one other dramatic work titled “We Love Tani Les” for a similar heroine a couple of plastic artist who will get into bother along with her well-known director husband, so that they separate from one another after which she coincidentally meets a younger man at a celebration and he admires her, so he tries to get near her However she is afraid of going via a failed emotional expertise once more.

The collection “Elly Malush Kabir” doesn’t present a logical context that justifies the explanations for the spouse of a rich man – who’s linked to her household pursuits – with a thug apart from her publicity to bodily violence by the husband as a result of she stayed up late exterior the home whereas touring overseas, and the worst factor is that she is subjected to the identical abuse by the brand new lover and browsing Even after inflicting her to miscarry.

The work contains a considerable amount of violence even after the censors compelled its director (Mustafa Fikri) to delete scenes such because the Khedive’s conflict together with his opponent within the first episode, which included placing a bottle in his mouth after which sticking it in his throat to forestall him from respiration, a matter that was thought-about disgusting and couldn’t be introduced to small display screen.

The collection is just not free from recycling some concepts and stereotyping the actors in roles they beforehand performed, such because the artist Dina Fouad, who’s re-presented within the picture of the girl associated to the world of magic, and she or he tries to guard her husband from being related to others by visiting charlatans and charlatans in an funding for her earlier success within the collection “Jamal Al-Harem” that was proven months in the past.

The brand new work offers with the risks of the nice age distinction between the spouses and the absence of the language of dialogue between them, and this was represented within the character of “Abed” (the artist Khaled Al-Sawy), who sees violence as the one technique of understanding, and treats his spouse as personal property, and doesn’t need to abandon her by divorce after she requested him It is just when he feels the urge to forfeit it.

monetary deal

The collection signifies that some households deal with marriage as a monetary transaction that should proceed so long as there’s a monetary profit from it. Members of the heroine’s household reprimand her due to her request for divorce from a husband with whom she doesn’t really feel completely happy, given that he’s the guardian of their blessing and their separation means confiscating their monetary privileges and throwing them into the unknown.

Elevating this level brings to thoughts as soon as once more the personalization of the actors’ life issues, specifically the brother of Yasmine Abdel Aziz, who refused her marriage to Ahmed Al-Awadi and criticized her on social media and was met with a counter-attack accusing him of economic profit, and the interpretations prolonged to the purpose the place the title of the collection “The One Who Doesn’t Huge” is directed at him within the first place. the primary.

The character of the heroine bears quite a lot of disharmony and lack of logic, regardless of being introduced within the picture of the robust, fierce, rebellious who is just not afraid of thugs and describes herself as coming from hell, being overwhelmed by everybody, beginning along with her husband, brother and lover, all the way in which to the ladies who had been employed by the thug free-lance to maintain her out of his method. .

Weapons, tried homicide and kidnapping had been made the simplest method to resolve issues, as if everybody lived in a “state ruled by the regulation of the jungle.” The Khedive does every part in his energy to show his little brother to bullying as if it had been a science with property that he should take up in order that he turns into feared among the many folks, which is some extent It sparked controversy concerning the ethical temper of the drama and the concepts it introduced in latest occasions, as a few of them selected violence as a path of their plots.

The Home of Representatives entered the collection after Consultant Ahmed Muhanna, deputy of the Manpower Committee, thought-about that it represents a nasty picture of girls and contradicts the state’s path in the direction of empowering them in varied fields, because it encourages males to make use of violent strategies in treating ladies, intending to seem as a thug as a dream boy for ladies. .

“The One Who Would not Have Huge” criticizes the remedy of some Egyptian households with marriage as a monetary transaction that should proceed so long as there’s materials profit from it.

On the consultant degree, Khaled El-Sawy kidnapped the highlight from everybody together with his psychological shifts between displaying sadism on the one hand and displaying kindness and ferocity that arouse sympathy with him on the opposite, particularly the scene of his suicide, which lasted for 5 complete minutes, and was much like a monodrama on the stage, the place it was completed with self-criticism in entrance of the mirror. It included holding him accountable for all his errors in life and explaining the key of his spouse’s hatred for him, earlier than ending his life alone on the eating desk.

The artist, Yasmine Abdel Aziz, maintained her consultant methodology of mixing lightness of shadow and calm expression in conditions of disappointment with no sea of ​​synthetic tears or affection with facial expressions in mild of the expertise she gained from combining comedy and tragedy, whereas Ahmed Al-Awadi didn’t current something new in his traditional method of expression that doesn’t It differs whether or not he’s a terrorist, an officer, or perhaps a thug.

The work represented an inventive journey by all requirements, by repeating the vast majority of those that participated with Yasmine Abdelaziz in her earlier collection, “We Love Tani Les,” except for Al-Awadi. The collection’ crew guess on a business concept much like what occurs in business cinemas, the place clashes, killings and sniping had been repeated to draw a section of the viewers associated to the world of motion. This made the crew in competitors with the collection “The Kings of Al-Jada’ana” by Amr Saad and Mustafa Shaaban, which included a a lot greater quantity of motion and armed clashes, and maybe each of them removed this comparability within the second present.

The top of the collection carries a level of shock, because the Khedive (Al-Awadi) kills three folks earlier than the safety forces kill him in an alternate of fireside, and the heroine begins her life once more after acquiring the wealth of her ex-husband, who gave up all his possessions to her to benefit from the richness with out inconvenience, indicating that Destiny compensated her for her struggling with a person years older than her.

A dispute arose between the heroine of the collection, who wished a cheerful ending, and the writer, who refused to intervene due to his ethical rights, which grant him the best to attract a script with out the intervention of the director or the heroes of the work, contemplating that the character of the thug should be the tip of the killing, and ended up canceling his follow-up on social networking websites.



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